In the Woods of Atholl

The Dukes of Atholl were awfully fond of trees, especially Larch trees, mainly for their timber value but possibly also just because they liked them. They also had an awful lot of land to play with. Still do. Duke Number 2 was responsible for introducing the European Larch (Larix decidua) to Scotland in 1740. His nephew, the Planting Duke (Number 4), turned his attention to the steep slopes of Craig o’ Barns above Dunkeld, and wondered how he could cover it with larch trees. Clearly, trees could grow on the rocky outcrops and once established, gripped the hillside with roots that were capable of splitting and crumbling stone. The issue was how to get men, tree seedlings and planting gear onto the inaccessible hillside the Planting Duke wanted to cover.

His solution, it is told, was to fire seed at the crags from a cannon positioned across the river. Not usually part of the tree-planter’s kit, but hey, this was the Duke of Atholl. Duke Number 7 brought in the Japanese Larch (L. kaempferi) in the 19th century, and the combination gave rise to the Dunkeld Hybrid Larch (L. decidua x kaempferi) in 1904.

Walking the woods above Craig o’ Barns now, and the land that makes up the popular Atholl Woods walks, I am spellbound by the determination and tenacity of trees to hold fast to rock and scanty soil. Although disease has resulted in many larch giving way to spruce, fir and pine, all these forest conifers rise like spindly towers from the steep shady slopes, clamouring for sky.

Not all grow straight, however, and where a deciduous tree has infiltrated the ducal forests by setting its own seed grimly onto rock, it seems to thumb the nose at forest order by growing into as contorted a shape as it can, leaves placed to catch the light.

Sheer cliffs and overhangs challenge the pines, but the darker, older and unplanted yew trees seep into the rock like oozing blood – and hold fast. Holly trees, with hard, unyielding wood and strong roots, are scattered among the rocks, and huge, unlikely beeches wrap themselves around massive boulders with roots like giants’ fingers, and trunks that should have crashed to the ground a century ago.

Emerging from forest onto the look-out points along the way, I realise how the path has been climbing, just as subtly and imperceptibly as tree roots worm their way into rock-faces. The valley of the Tay sparkles with silver, south to Murthly Castle and north to Ben Vrackie, high above Pitlochry. I bask like a snake in the sunshine.

At Mill Dam, another kind of forestry is in progress. Neat and systematic felling of young trees into water to provide fresh shoots; branches and brash gathered to construct dams and quiet pools.

Such teeth these foresters must have! A match for the Planting Duke’s cannon, perhaps.

The Mushroom at the End of the Wood

A Post for West Stormont Woodland Group

In Anna Tsing’s book The Mushroom at the End of the World*, she tells the story of landscapes ruined – or seemingly ruined – by the greed of human activity. In particular, forests. In one unpromising forest in Oregon USA, where commercial forestry had stripped out all the trees of value and left an empty terrain of broken ground and scrubby volunteer pines, she met some mushroom hunters, refugees from Laos. They were gathering Matsutake, one of the most prized and valuable edible mushrooms in Japan and – allegedly – the first living organisms to appear from the wreckage of Hiroshima after the Bomb.

Matsutake mushrooms, like many fungi, only appear when they can be entangled with the roots of a suitable host tree in a mycorrhizal relationship. They got on very well with those scrubby pines. Tsing tells how the accidental introduction of the Pine Wilt Nematode on a shipment of American Pine into Japan had devastated the Matsutake’s natural host there, hence its rarity. It is not a serious pest of American Pine.

Incidentally, Scots Pine is a good host for Matsutake, too….

Abandoned remnants of the commercial forest

Mushrooms disappearing when a forest changes is familiar to me. All forests and woods are in the process of change, but our two ex-commercial forests, Five Mile and Taymount Woods, are forests in abrupt transition. Before the Commission took out the last valuable trees and wind-throw did for many more, Five Mile Wood was my happy mushroom-hunting ground, the place I’d take people to for foraging walks. I knew exactly where to find the biggest chanterelles, the white Angels’ Wings, the logs where real oyster mushrooms could often break out. The ditches beside the path were home to many fascinating species, including several edible Boletus including the Cep and the maggot-free Bay Bolete – and, of course plenty of highly poisonous examples too. Some years, the tantalisingly similar but inedible False Chanterelle outnumbered the real one – which is exactly what you need when teaching people not to harm themselves by misidentification. One damp corner was an emporium for the delicious Slippery Jack, which turned up in troops like clockwork, every year in late summer and autumn. I used to dry the ones we didn’t fry up right away, and store them in jars.

The fragile associations which had built up over the decades were shattered by felling. The self-sown birches that are colonising parts of both the woods now will eventually reel in their own, interconnected fungal friends, and the chanterelles will surely re-emerge one day, because birch is their main host tree. But from my experience, it takes at least a decade before mushrooms start to appear in a new wood, and the first arrivals are never the ones you want to eat! The precarity of a habitat for specific mushrooms is alarming – involving water tables, shade, parasitic plants, weather patterns, nematodes, beetles, animals – including mushroom pickers. Tsing’s book includes chapters on the equally precarious lives of the pickers – refugees, indigenous peoples, itinerants. Humans aren’t in control of what the mushrooms will do, because there are so many variables in play. Humans are just part of the landscape, and the landscape is changing because of and despite them.

So, I can only observe and enjoy the new but mushroom-free habitats in parts of our woods, note the changes, watch new worlds forming out of devastation and realise we are not in charge, not that clever, and maybe, not that important either. I scoured the ditches in Five Mile Wood for boletes recently, and right at the end, I did find a couple of lingering and determined specimens. I left them there.

But who knows what will be the mushroom at the end of the wood? And where is the end of the wood?

*Tsing, Anna Lowenhaupt: The Mushroom at the End of the World – On the Possibility of Life in Capitalist Ruins (Princetown University Press 2015)

The Difference a Drop of Rain Makes

A Post for West Stormont Woodland Group

https://www.weststormontwoodlandgroup.org.uk/

Five Mile Wood today is a wood part-forest, part scrub and heath. When the Forestry Commission took out the last tree crop, they left a fragile fringe, largely of Scots Pine, around the north-east side of the circular path that now forms almost the only access to the bulk of the wood. The Benchil burn trickles through and under the path here, on its way to the Tay, and water from the high water table of the central area percolates into a series of pathside ditches and curious water-holes made by a forestry digger. This is the wet side of the wood. While the trees must take up a lot of water, their canopy also prevents evaporation, and after recent heavy rain, the glades and ditches are alive with summer flowers and butterflies.

Sphagnum, Lesser Spearwort, ladder ferns and willows congregarte in wet ditches.

Heath Bedstraw and Tormentil are strewn along the path edges like yellow and white confetti, and red clover flourishes heroically on the banks. Meadow Vetchling and Bird’s Foot Trefoil are visited by brown ringlet, wood white, common blue, and pearl-bordered fritillary butterflies, who pause and spread themselves out infrequently on warm stones and bark shreds on the path.

Bright Hawkweeds grow tall and enthusiastic, stretching for the dappled sun that today is scorching whenever the clouds part. In the cooler shade, sweet-scented Valerian grows. It prefers a damp habitat, and its white to pinkish flowers are nectar-rich, a magnet for more butterflies. This plant is widely used in herbal medicine, its roots being a soporific. Common Orchids and Viper’s Bugloss unusually share a habitat. Here and there are thistles, always a good bee-flower, and today a relevant newcomer to central Scotland, the Tree Bumble Bee (Bombus hypnorum) is engrossed with nectar collection.

The true nature of this tract of land gives itself away in the damp bases of ditches and where vague deer tracks can be followed a short way into the springy sphagnum. It is part of a network of raised bog, myre or moss that probably once were joined. King’s Myre in Taymount Wood is another remnant. Damselflies hover over the multicoloured water forget-me-nots in conjoined pairs. The Lesser Spearwort dazzles from many a watery ditch and aptly-named Ragged Robin, dances its frilly pink skirts by the burn. Acid-loving and ubiquitous tormentil abounds, and bell heather is in flower already – another treat for insects.

Chickweed Wintergreen peeks out from ferns and sphagnum mosses

We humans are such visual creatures, and it’s the flowers that draw us and grab our attention. But flowers are the tip of the ecological iceberg of the wet side of the wood. Ferns, grasses, unidentified rushes and reeds are the matrix of this habitat, while unnoticed and unobtrusive, the sphagnum mosses proiliferate, and go on with their work of creating peat, holding onto water – and capturing carbon.

How the woods work to heal us.

Clockwise from top left: Red Clover, Valerian, Viper’s Bugloss, Ragged Robin, Common Spotted Orchid

May 2020: The Bluebell Wood in Lockdown

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There is no lockdown here.

Cascades of bluebells pour unrestrained down slopes and banks in teeming armies. They crowd thick and close and unrepentant, in teeming armies, nodding to kiss and touch the air, the sunlight, their neighbours. bluebells2020b

Black, loping St, Mark’s flies dangle above the bluebells, lost in the still air that’s full and fragrant and intoxicating. Bees softly hum, preoccupied, beyond concern, without anxiety. Birdsong surrounds us, meshing into the stillness and silence till it becomes part of it. Woodpecker nestlings can just be heard, grumbling in nest holes in elderly trees.

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The wood breathes deeply, unmasked, unshielded. Stitchwort and purslane gather together, jostling around stumps and falling branches, pink, white and all the shades between, small exuberant stars in a sky of riotous blue.

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Humans are few, and we are all quiet. We greet each other in joy and friendliness, as if to apologise for the distance we must put between us. A young woman walks slowly, murmuring quietly to her baby who peers out in wonder from its sling. A small girl is carried in her father’s arms. Both gaze silently, smiling.

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Another world is possible.

Another world is here.

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Bees, Butterflies and an Old Straight Track

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The things you do in a lockdown. I wouldn’t normally walk from the house to Five Mile Wood, I’d call in on my way to somewhere else, parking the car. It’s not an especially long walk, but since they felled most of the trees on the Bankfoot side, cavernous ditches and hollows have made the entrance to the wood treacherous, wet and debateable, and the track to get there goes on a bit and is not especially interesting.

Or so I thought.

I marched out from Bankfoot on one of those dazzling, sun-struck mornings of which we’ve seen so many this April. We crossed the pleasantly deserted A9 and the field to the edges of Cairnleith Moss and turned right along the track to North Barns. The path stretched ahead in a tediously straight line, the wood in the far distance looking nearer than it actually was. At some point, I turned round to let the dog catch up.

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It was a VERY straight track. North, it pointed directly at Birnam Gap, the space between the hills where every Great North Road is forced to pass. Ahead of me, beyond Five Mile Wood, the conical East Lomond Hill in Fife lay in a direct line. Suddenly, it fell into place. With these landscape markers aligned, this was the ancient route north – preceding the drovers’ track above my house, which preceded the winding old A9 through Bankfoot village, which went before the current A9. They all run roughly parallel, and all have to go through Birnam Gap. (Later I consulted the maps: this old straight track seems to have continued beyond the wood to meet the Tay at Waulkmill, then probably followed the straight road through Stormontfield, and on to Perth or beyond).

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On either side, vast, treeless fields stretched forever, brown, homogenous, dusty and devoid of hedges. In a hollow beside the track were a dozen beehives. I realised the field I’d just passed did contain a crop – oil seed rape, yet to flower. That’s why the bees were there. A farm vehicle traversed the horizon on the other side, trailing an enormous boom sprayer. Dust and chemicals billowed behind it. The smell in my nostrils was like an airport runway. How on earth, I thought, did the bees keep going, while waiting for the rape to flower? There were no wild flowers in this agricultural desert.

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Reaching the edge of Five Mile Wood, I crossed the gate into the ravaged landscape of felled trees. The footpath sign directed me, and I could see where I needed to be, straight ahead on the old track, but a new route had to be picked to get there. Others had succeeded; makeshift log bridges across water-filled ditches, meandering paths that skirted the boggy areas. I reached the main path which circles the interior of the wood amid the heady coconut-scent of gorse – and there I found the bees, working the flowers sprung up in the new heathland created by felling. Beautiful birches, freed from forest, leaves just opening against a vivid sky. A border of dandelions edged the path, dancing golden and perfect in the sun of noon. Goat willows, pioneer trees of clearings, still in flower, had attracted a small swarm of peacock butterflies. In the new landscape of a one-time forest the bees and butterflies and all the creatures of the heath found sanctuary.

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Returning home, I thought about how important this chameleon landscape is, set against modern farming. I thought, too, about the old straight track that entered the woods, and how its purpose was muddied by activities that had made it so hard to follow. I thought how approach and access is so important, in any plans we may have for these woods in the future.

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Ambushed by Birdsong in Taymount Wood

“Much laid plans” and all that. I knew exactly what I was going to write about in my second post for West Stormont Woodland Group. It involved walking quickly and without distraction to King’s Myre in Taymount Wood.

But on this sunny, yet briskly chilly morning in March, the birds had other plans for me. We hadn’t got far when the dog was infuriated by an ear-piercing whistling made, apparently, by a bush. Eventually a tiny bit of the bush detached itself and was revealed as the smallest bird with the loudest voice – the wren, bustling ahead of us from twig to twig. The dog hates wrens. They scold, scoff, and shout at him, warning everyone he’s about.

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We dawdled on. Taymount contains a fair variety of tree species for a plantation. Tall Scots Pines lifted their crowns to the sun. Here and there, where selective felling had left a pine with elbow room, the narrow confines of its growth could be seen morphing into the mighty spread of the Caledonian pines. Larger clearings now host dense, self-seeded birch, through which a flock of greenfinches scurried. Brown bracken, unusual in this wood, lay beneath, thick enough to bed a herd of beasts.

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We were on the cusp of spring. Robins proclaimed territories sweetly, compellingly, from field walls. We saw and heard shrill blue-tits, piping long-tails, busy coal-tits, always on the go. Great tits were most strident, high in the trees. “I’m yours! Look at me!” they seemed to cry in their repetitive, compulsive mating calls. Gazing up focused my attention on the trees, too, as silver firs soared into the blue sky. We fantasised about crested tits, one day, coming here.

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We came to some Sitka Spruce which had evaded felling. Sitka is a splendid, statuesque tree when grown as a specimen. If it has no place in the Scottish ecosystem, tell that to the coal-tits. These spruces were laden with dangling ginger cones and coal tits moved systematically from branch to branch, eating the seeds. Then a spotted woodpecker, who’d been ever-present with his drumming, exploded out of hiding and passed right over our heads, a massive spruce cone gripped in his bill.

By the time we got to King’s Myre, we just enjoyed the sunshine by the loch. Another day for that tale!

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February: Five Mile Wood

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Dreich doesn’t begin to cover it. Weeks of rain, sleet or snow, and the wood is wet, dank, chilly. One storm has passed, another is forecast, and a group of multi-stemmed birches, green with lichen and algae, droop and wait despondently.

I take the rutted cycling path that skirts the woodland edge. Under the tall, fiendishly straight Scots Pines, many scattered beech saplings nestle in their winter boleros of retained leaves. Beech mast is everywhere, but I do not see the older tree from which it has fallen. Beech seedlings tend not to come up near a parent tree, but somewhere there must be a Mother.

Snow lingers crystalline along the clay-bottomed ditches where black, cold water lurks and trickles. There’s a pond under the pines which so looks like it was formed by an explosion I call it the bomb crater. No signs of frog spawn yet. Several tracks and paths meander where animals come down to drink. Duckweed covers a third of the surface; in the increasing rain thousands of ripples intersect and make diffraction patterns over the other two thirds.

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Birds – except for a robin – are silent and glum. A flock of pigeons clatters off towards the field; freshly ploughed, it offers them nothing but the stones that lie heaped in the field corner. How many decades or centuries of cultivation have contributed to this pile? This side of the fence, someone a long time ago arranged stones round a favourite tree, where they remain, moss-covered and half-buried. Larger rocks with wavy patterns etched onto their surface erupt in groups from the forest floor, scarcely distinguishable from the stumps of felled trees. Moss, lichens, algae democratically envelop all.

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There are charred-looking remains of mushrooms by the path. I think they were Blackening Russulas, an abundance of them. I follow their orbital trail and suddenly find myself under a towering old beech tree, with many spreading branches and a hollowing trunk that makes a chimney of dead wood and fungal rots. Swings hang from two branches; insects and other invertebrates burrow into the soft core of the tree and make their homes. The woodpecker will soon come calling for her dinner, other birds will nest and shout from the canopy. I have found the Mother of Beeches, and of much else besides.

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Five Mile Wood and Taymount Wood are former Forestry Commission plantations just north of Perth. They have for a while been transitioning from industrial timber production to a subtle integration with the wild, and people are part of that wild change. The Commission have put them up for sale, and local people have formed West Stormont Woodlands Group. We are hoping to implement a community buy-out. You can find out more about the plans and group activities at http://www.weststormontwoodlandgroup.org.uk Over the coming year, I intend to write a monthly blog post “Words for Our Woods”about the wildness of the woods, in support of WSWG. This is the first.

A Dear, Green Place

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I wake up under the ridiculously high ceiling of my daughter’s flat in Govanhill (honestly, you could fit a whole other floor between me and that ceiling), and it’s that not unheard-of, but always slightly surprising thing: a Fine Day. In January. In Glasgow.

So I go down to Queen’s Park under the low sun, and join all the people, taking shortcuts to Shawlands or Battlefield, grimly jogging, exercising a cacophony of canines, or gathering to hold deep discussions on the slithery paths where the morning’s frost has turned to melting ice.

I look for wildlife. There’s plenty, but until you tune in, you’d think it was all rainbow-hued, pouting pigeons intent on fornication and the many opportunist members of the crow family. Magpies bustle under municipal shrubs and into rampant ivy (arguably the park’s most significant contribution to wildlife habitat), and busy themselves with piles of beech leaves, pretending to have a purpose.

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Crows loiter in trees with intent, fingering – or beaking – sticks and twigs, considering their suitability for Lovenest 2020.

I skirt the wildlife pond, where coots, moorhens, mallard and the remaining cygnets of the Mute Swans entertain small children. Up a green slope, and a sunken track, so deep in mud and the soggy consequences of the previous weekend’s torrential rain that had some of us dancing in puddles, it could double as a Devonshire hollow road. Fallen trees accrue fungi and insects; Queen’s Park here has shed its Paxton municipality.

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In the wilder, scarcely managed woodland, I hear birdsong – the noisy robin, the piping and sawing of blue and great tits. I know there are long-tailed tits – they visit my son’s bird feeders – but they taunt me shrilly, staying out of sight. A treecreeper works her way up a lime tree trunk. Dunnocks and wrens flit, silent and absorbed. Huddled among the trees on the Camp Hill slopes, the Queen’s Park Allotments make a city within a city, a shanty town of sheds and frames and variously glazed or translucent edifices where lush crops are started early by proper gardeners, and foxes – I can smell them -.find food and sanctuary.

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Higher, and I reach the Iron Age fort that crowns the hill, where grey squirrels scamper among the beech-mast, and humans have lived for centuries. The big stones in the middle of the ramparts may be what’s left of the Camp that named the Hill – during the Battle of Langside in 1568, famously lost by Mary Queen of Scots’ army and which sent her to to seek, and not find, refuge in England. But Glasgow named the park for her.

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A grove of young fruit trees just below the viewpoint with its flagpole are decorated with dark tartan ribbons, the remnants of last year’s wassailing. I wonder if they will get wassailed this year. The Philosophists of the Flagpole converse earnestly, perched on the backs of the frost-wet seats. Someone hands me a leaflet. It is from Extinction Rebellion.

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The day before, Glasgow City Council had announced its intention to be carbon-neutral by 2030, despite the challenges of its transport system and heating those high-ceilinged, big-windowed tenements. That’s 15 years before the target set by the Scottish Government. Will they do it? They will give it their best shot, and count the benefits before the costs. XR will say there’s no choice.

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We look out over this beautiful city, this dear, green place, bounded and made human-scale by its surrounding hills, dotted with parks and humming with energy that comes from its people. Smoke gushes from a single factory – I think its the brewery opposite Glasgow Green – and a motorway crashes through. They’ll need to sort that. I think, that if anywhere can do it, Glasgow will.

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The Bluebell Wood in Winter

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We’ve always felt a sense of ownership of our local bluebell wood. It’s the place we take visitors, a secret to share with loved friends and relations. Over the years, it’s become quite renowned, at least in May, when the ancient oak woodland is carpeted with bluebells. People have always flocked to it then, to capture images on camera, to bring children and grandchildren, or just to stare in amazement, breathing in the scent of bluebells that stretch far and wide.

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Maybe not so picturesque, but it’s equally magical in other seasons: when the bracken grows up fresh and green, or in its autumn gold, and in winter, when the silence is tangible, the bracken is tawny-brown and the shoots of bluebells lie just below the soil.

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The sun is low and carries no warmth; it pierces the sweet sculpture of bare branches and paints the carpet of mosses under the fir trees with iridescent green and gold. It lights up the crumpled and disordered fern fronds as if with fire.

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Every oak tree is adamantine and statuesque, posing in naked dignity. The scattered ancient, crumbling beeches also look invulnerable – but that’s an illusion. Every so often, one of them keels over or dumps half a split trunk. Dark, ponderous yew trees here and there are enigmatic about life and death.

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At the top of the rise, my favourite tree is a multi-stemmed silver birch, which stands against the sky as if it were painted there. For me, this is Stephen Hawking’s tree. I was on my way up that hill in March 2018 when I heard that he’d died. I sat by the tree and digested the news, sad, but making a mental salute to a brilliant mind. I don’t have many heroes, but Professor Hawking was probably one.

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A few years ago, the landowners put the bluebell wood up for sale. That’s when all the folk who’d felt ownership and connection came out of the woodwork. Suppose it was bought by someone who respected neither its status as ancient woodland, nor the long-established right of access? In the end, although a community buy-out would have seemed fitting, it was bought by the Woodland Trust, thanks to a fortuitous legacy. Sighs of relief were followed by the formation of an enthusiastic volunteer group.

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There have been changes, of course. Re-routing of paths to avoid visitors being knocked out by a falling beech branch, a hard line on invasive non-native species that threatened to engulf the bluebells themselves, the eviction of the deer from inside the deer fences to permit oak tree regeneration are just some examples. A car park – inevitable, perhaps, but no ornament… but at least it’s been surrounded by fruit trees.

And a massive planting project of new trees in the adjacent fields that formed part of the sale – thousand of trees, safely behind new deer fencing but accessible via solid gates. Work in spades for the volunteers, for years to come.

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It’s rhododendron-bashing day tomorrow.

Glacial Loch: a Tale of Horizons

Loch Leven in Kinross-shire, along with Clunie Loch and Loch of the Lowes (and the ospreys) in Perthshire, and Scotland’s only Lake, the Lake of Menteith in Stirlingshire, was scraped out by glaciers in the Ice Age, then filled with sand and gravel as the glacier retreated – and hence is shallow, broad, wreathed in strange mists, and horizontal in tone. Wide enough to be a honeypot for thousands of wildfowl in winter, secret enough for a Queen to be imprisoned on one of its islands, shape-shifting and elusive enough for ghosts and rare species.

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Walk around its margins; there will be places from which the opposite shore can barely be discerned. Go on a grey autumn day when the rain in the air seems suspended in horizontal bands, and upsurging clumps of grass and reeds appear discordant, almost angry in their violation of the horizontal.

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Here and there you’ll find beaches, sandy from the glacier’s retreat; the wind makes small glacial waves that smell of no sea but fool the dog – and then it becomes still. Bands of horizontal clouds are reflected in the mirror surface of the water; subtle stripes of cream and grey and black and white, settling on the horizontal tops of the surrounding hills.

grassofparnassus Pockets of peaty marshland, studded in autumn by vivid blue sheeps’ scabious and emphatically solitary flowers of the Grass of Parnassus, spiral around flat pools of oily water, reflecting snatches of sky. Larger raised bogs, pillaged in previous centuries for their peat, lie flat and sullen. When the peat was no longer wanted, they grew conifers on the “useless” land. lochleven5 Now the conifers are retreating after the long-forgotten glaciers; the water returns; dragonflies, amphibians and sphagnum once more fill the horizontal expanse between the forest. Heaths and ling guide the trespasser to the dryer paths, and felled branches bridge the bog where water maintains its horizontal sovereignty.

lochleven6 In fields by the loch, the damp rises in horizontal layers, coating logs and stumps and gate-posts with moist, green mosses and algae. In one field a whole tree fell, years ago. In this damp environment it has not died, but adapted to its horizontal status and continued to grow; a miniature forest of shoots, epiphytes and primitive plants along its horizontal trunk.

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The old river, the Leven, first to score a path through the glaciated landscape, tears out of the loch at the Sluice House, which straddles it, flat and low, and flows out to feed Fife, rural and industrial. Its lines are also straight and keenly defined; kingfishers dart horizontally beneath overhanging branches. Ripples march in military formation downriver.

Quiet, grey, the glacial loch behind you retreats into its bands of mist, its unseen wild occupants, its secrets and loveliness.

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