Walking Back the Way: Methil to West Wemyss

(It’s taken me a while to write this walk. I did it the day the clocks went forward, end of March, and today they went back again. My 14 year old collie died in early summer, and this was the first walk I decided it would be unfair to take him on, so it was a bit poignant; and weird not to have him beside me all the way.)

It began at the CLEAR Community Garden in Methil where I left Andrew to deliver a workshop. CLEAR stands for Community-Led Environmental Action for Regeneration, and is a very active charity whose stamp is all over the former mining towns of Methil and Buckhaven in Fife. We’ve worked with them a lot over the years – their compulsion to fill every available space whether roadside or cliff-top with fruit trees was one of the inspirations that got us into orchards in the first place. The Methil garden was pretty stunning; I had a good look round to admire the recycled materials, the superb compost bays (I do love a good compost heap) and pear trees about to blossom, before heading off into the cold, breezy sunshine.

Zig-zagging through Methil, side-stepping CLEAR plantings on the edges of parks and in vacant plots, till the town had morphed into Buckhaven, or Buckhyne if you like, the place of superlative pies and hidden histories, from the extravagant exposure of Fife coast geology, the sturdy cottages of Cowley Street and relics of the long-disused mine railway – all explained in panels erected by CLEAR and Fife Council.

I’ve become rather fond of urban walking lately, for the unexpected quirks of history, and opportunities to see the extraordinary hiding behind the mundane. Here, I learned of the “lost village” of Buckhaven Links, which grew, mushroom-like, on the shore when the Church of Scotland had one of its fallings-out and mislaid a large part of its congregation. Buckhaven Links did not survive too long, and is now buried under the Buckhaven Energy Park, a darkly towering set of anonymous edifices over the wall from the street.

That road took me past rows of houses with signature Fife/East coast crow-stepped gables to where Buckhyne Harbour once was, until it was abandoned due to over-fishing and used as a repository for mining spoil. Beyond the harbour site, a scramble through rocks and there was the beach, for a while and pre-pollution a popular holiday and day trip destination for Fifers and those beyond the kingdom.

Up, then, climbing skyward the Buckhaven Braes, lit by the silver of blackthorn blossom and the gold of Sea Buckthorn, peppered with orchard trees, all labelled, all immaculately pruned and protected, the coast path lined with daffodils in flower, until this extraordinary little town was behind me and I marched along westwards towards East Wemyss.

It was the East Wemyss caves that had been bothering me ever since reading that Val McDermid novel; not just to imagine fictional murders, but to see where Picts had carved strange images in bygone centuries, where people had dwelt, sheltered, hidden, picnicked and stored precious things. But first, when I passed through the woods, I came upon Macduff’s Castle – an impressive ruin whose stonework exhibited all the artistry of a carving, it is so tastefully eroded. All around its roofless vaults grew great clumps of Alexanders, a shiny-leafed, celery-like edible plant not native to these parts, but where it takes off, it does so with enthusiasm. I circumnavigated the castle before heading down the cliff to the caves.

I had been warned that the best bits of the caves were gated off by substantial railings, in order to protect the ancient carvings. You can get a guided tour of them if you go to the museum in East Wemyss, but I didn’t want that today. So I stood outside Jonathan’s Cave and used my imagination instead, then stood inside the Doo Cave, where dozens of little cubicle nest holes have been carved out of the soft red sandstone to accommodate the doos, kept for meat and eggs in years gone by. At the large Court Cave, I did my exploring along with other visitors until my excitement subsided.

Then I walked on, the sunshine now spring-warm, past a gaggle of East Wemyss monuments and memorials, side-stepping mine ventilation shafts, to re-join the path by the sea. Rafts of eider ducks sailed by, making their weird, cooing, gossipy calls, and cormorants lined up on rocks. Strange but recent sculptures in stone arose against the skyline like sentinels; I added to them, noticing how the stiff uprightness of last year’s teasel seedheads mirrored their form. Under the precipice on which the relatively modern Wemyss Castle teeters, and I was into happy little West Wemyss, basking, and its lovely cafe for tea and a well-earned salad.

Looking forward to the next Fife coast exploration!

Tree as Furniture

There’s a little wood nestling by the River Tay that I love to walk in, partly for its vibrant and eclectic flora – an amalgam of native plants and garden escapes which get washed in when the river gets out and established over centuries, that curiously resembles my garden at times.

Set back from the river, and maybe in a sort of line, are some colossal and ancient beech trees. Why they are there is a mystery. Clearly, as non-natives, they were planted, possibly something to do with the nearby castle, though they look older than that. I’d like to link them to the mediaeval abbey at Dunkeld, whose land I believe this once was, though there is the small matter of a river in the way.

The trees were clearly pollarded or even coppiced, the resulting shoots from the trunk growing into valuable, renewable firewood. Now each “shoot” forms a huge trunk in itself, because they’ve not been cut back for centuries. This leaves the structure unstable, and every so often a tree loses one or more of its trunks, leaving hollows and torn timber crags. The exuberant flowers and grasses of the wood quickly colonise and make them into miniature gardens.

As little will grow directly under beeches, they provide a flat, open and sheltered site for wild campers, and there is very often a tent or two under one of them. Recently having witnessed the idiotic post-lockdown behaviour of people who like to think they are campers trashing and littering lovely places, I am admiring of the most recent wild campers in this little wood, with their orderly, careful fire pits and unobtrusive behaviour.

Some years, it’s looked as though the campers (who I never see) are using their chosen tree as a kind of holiday caravan, setting up for a season. It makes sense not to have to cart everything to and fro. One of the beeches in particular is like a gigantic cupboard or merchant’s chest, with cubby holes in which to hide folding seats and tables, and lofty shelves where firewood and kindling can be stacked to dry. Washed up boards from the river can be balanced across knobbly projections, useful for everything from preparing food to changing nappies.

It’s a comfortable, homely tree, nearing the end of its long life and home to so many plants and animals. I hope it always has special memories for its seasonal human residents.

The Back Mill

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He’d dive in, dump his school bag, raid the fridge and be off.

“Where’re you going?”

“Dunno. Backmill probably.”

“Oh. Okay.”

Backmill was what they called it, these prepubescent and young teenage schoolboys with more energy than sense. The little wood accessed by a rusting stock feeder converted to a bridge over the Garry Burn lies not far from the primary school. For me it was a place to find edible fungi in autumn and clouds of wood anemones in spring. For them, it was an open woodland opportunity for creating ever more ambitious bike jumps and mini skate parks, housing a roughly square, slightly sunken area they called the Curly, whose banks made a race track or skateboarding wall.

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As summer progressed, he’d pop home to borrow a spade, loppers, a bow saw. I railed, and refused the axe.

“You’re not to saw down any trees!” They did, though to be fair the old curling pond was thick with self-sown sycamores of suitable diameter for log ramps and bridges. The tracks and jumps became quite elaborate. My son and his pals were probably following a long tradition in which they were the current top dogs, and learning about engineering and practical skills in the process. Health and safety, too, I suspect.

Twenty years on, I never see a child in the woods, but the evidence indicates that to some extent the tradition continues. The burn is forded by new stepping stones, the soil is bare over the bumps and jumps, and someone’s parent has welded new metal onto the old stock feeder to keep safe-ish access going. There was a village campaign to build a “proper” skate park a few years ago. I kept quiet, but suspected an improper one would remain more attractive.

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At the end of the wood and across the burn is a cluster of old buildings and a modern barn used to store straw bales. When you look closely, you can see where a water wheel once was attached to the wall of the biggest building, though nettles and rank vegetation choke the pit where it would have turned. This is the real Back Mill, after which the wood is locally miscalled. Once, it must have been a hugely important hub of activity for the village.

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It’s a sizeable building, and across the road a second building of similar age was, I think, the granary. A door on the upper floor was probably where the grain was unloaded into wooden carts, perhaps like the one now parked in another outbuilding.

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The lower floor is crumbling, but suits the swallows and martins for nesting, and has been used for housing the beasts in winter – the old wooden manger is intact.

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But where is the water? The Garry Burn is much lower than the mill wheel, and the track into the ford now only leads to a field. Behind the mill, a stretch of level grass looks like it leads round the side to meet the wheel. Go several hundred metres up the road from the ford, looking carefully through the tangled vegetation, and you can discern a straight, broad channel. You soon come to a stone dam, and the remains of the mill-pond. From here the water would have been diverted on milling days via the lade at a slight incline to the wheel, which would start to turn and grind under its power.

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I’d love to find out more about Bankfoot’s Back Mill, and whether the wheel was an overshot or an undershot. It’ll have to wait now till the library re-opens, and I can delve again into the local history archives. Meanwhile, children of Bankfoot, keep building dens, jumps and bridges in the woods by the Curly!

A Big Hoose and its Carriage Drive

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Another giant tree that was part of the avenue lining the old carriage drive has come down. Every year, one at least succumbs. They are mostly beech, monumental now, out of scale with the straggle of the village and the low fields that sulk under the weight of rain and ripe barley.

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The carriage drive is a ghost of former times, looping importantly around the grounds of the big hoose that now peeps sheepishly out from behind its deer fences and the remnants of redwood trees, the choice rarities, status symbols prized by landowners two centuries ago. Then, it all belonged – carriage drive, trees, big hoose and all – to the Wylies of Airleywight. To be honest, James Wylie probably owned most of the village, and built a fair whack of it too. He owned my house, and, though long dead, may well still own the rough road on which it lies. (Nobody else claims it, despite rumours that it might be the property of the Bankfoot Light Railway, also long dead.)

A footpath follows the line of the carriage drive, side-stepping the remaining beeches. Here and there, minor land grabs seep into it. A corner of field here, children’s dens there, new tracks, sheds and barbecues. A shady allotment of raised beds fingers into it, created by someone in the adjacent scheme with access to Heras fencing and a tendency to self-sufficiency. In the woods beyond the house, where the Garry Burn streams by, a squarish, sunken, shallow bog is still called The Curly by successive generations of schoolchildren, out on bikes and skateboards, building jumps. If you hunt among the rank vegetation, you’ll find the metalwork that filled or drained the pond for icy games enjoyed by residents and visitors to the big hoose at Christmas. airleywight2

Where the carriage drive seems to end, the footpaths continue, past what’s left of the huge walled garden. Now a forest of self-seeded trees occupies the space where fruit, flowers and vegetables once were expertly raised on the south-facing slope. They tower above what’s left of the crumbling, ruptured walls. Who knows what horticultural sleeping beauties may still lie dormant at the heart of the garden?

The cottage near it lay abandoned save by the swallows for many years, still graced by bursts of surviving garden flowers among the thistles in summer. The butterflies loved both. Was it the gardener’s house? Or perhaps the coachman for whom the drive was made? The village architect has renovated it to picture postcard perfection. It looks content, roofed, aired, cultivated – but not extended. Nearby he built himself a house of traditional, solid materials, that so fits the landscape in style it has become part of it. Already there are lichens on the roof and leaves in the gutters. The swallows and martins nest easily in the eaves and outbuildings. airleywight3

You get to the big house now by a difference entrance, made significant by statuary, but no carriage drive. Of the latest owner, and what they plan for their gardens, curling ponds and steadily declining avenue, there is no word.

Feral Berries

These fields, which now yawn under the predictable rotation of wheat, barley, potatoes and the occasion excitement of peas or beans, were all berry fields once. It was the biggest and best-known of five plantations around here, where canvas tinker villages sprouted annually at harvest time, and the needs of the workforce were met in this now silent, gone-to-work, wee town by a wealth of grocers, bakers, butchers, innkeepers, tailors and shoemakers. At least five surgeons lived here in case of accident or emergency. The berries that weren’t eaten on the spot or smuggled home by the pickers all went south, on the new branch line connected to the village for the purpose, to become jam on well-to-do breakfast tables.

Now in the quiet forgetfulness of displaced industry and commuter inertia, tangled woods wrap themselves round the margins of large exposed fields. The old track takes you past the farmhouse that is no longer a farm, the steading that is no longer a steading, and wanders aimlessly north, between the remnants of its hedgerows. Long ago, it was the only road north, save for an older track across the moss.

Here and there, a narrow change in fencing or a wooden post marks where one of the many footpaths to and from the berry fields used to run. A curious right of way plummets through someone’s back garden and still has legal status. Patches of No Man’s Land persist, and where they do, the ghosts of the berry fields haunt and echo.

feral berries 1 In the dense shade of a triumphant elder spinney, a smattering of redcurrant bushes blooms and fruits, scant rich redness catching the eye as the berries ripen. They are small and sour, yet somehow incandescently flavoursome. Where the track narrows to a muddy path, wild gooseberries make a wee thicket. Their fruits are also tiny, and round. Are they genuinely wild?

Or the depleted progeny of an old cultivar, maybe Scottish Chieftain or Lord Elcho, prized a century ago, now nearly forgotten?

But the raspberries, they are everywhere; an abundance that makes cultivation seem a frivolous and needless expenditure of time. They spring from lawns and borders in untidy local gardens, in numbers that cannot be put down to the activities of a large and hungry population of blackbirds. They line the hedges that border the track, they rise lushly above the willow herb and tall grasses of woodland clearings. They are bountiful enough to gather for the freezer, but, more often, they make a wayside breakfast for people out with their dogs on sunny summer mornings, staring vacantly into the trees, popping raspberries like pills.

In one small hedge remnant, the raspberries go unseen and untried by strangers. These IMG_20190727_093257760 diminutive rasps are a pale golden yellow. They hide behind fiercely protective stands of nettle, and amid the jaggy stems of the hawthorn. These are the sweetest, most succulent of the feral berries. They melt in the mouth and almost dissolve in the hand. Any attempts to gather a large quantity fail; they are nought but juice by the time they get home. Those who know about them keep a close eye, and say nothing, then give the game away when it’s picking time by beating narrow paths through the grass and nettles to get at this choice fruit.

All in the past now, the Auchtergaven and Bankfoot berry fields. The history of a place often speaks through its plants, and may have something to say about its present..