The Beach, Summer Weekend

beach 1First seen in early spring, nearly twenty years ago, the beach stretched endlessly around the curve of the bay, a shimmering cream expanse of sand uninterrupted by not much more than a man and a dog, idly kicking at the silvery waves. No sound but those waves, breaking, gathering energy, re-forming, breaking again – and the gulls, plovers and oystercatchers worrying at the interface between water and land. The red stones of a ruined castle tottered in the dunes, crumbling, threatening to fall. Where the river splayed lazily, yet with energy, into the sea, flat, smooth stones in many colours could be harvested for an optical feast, to be drawn and painted, rearranged, and consigned to garden corners.

Today the summer sun is hot, but the breeze is cool from the sea. The car park has been extended, a café predictably offers burgers, ice cream, soothing teas and toilets. The waves still break, but the birds have gone elsewhere, or fly over the sea waiting for humans to depart and their time to come. Chattering voices, laughter, cries of anger or delight dominate the soundscape. Dogs bark and race from one human party to another in confused joy. The tide of visitors troops through the dunes on the new boardwalks, and dissipates like the outflow of the river onto the sand. Small parcels of beach are claimed by towels, windbreaks and throw-away barbecues. As more people arrive, the parcels become smaller and smaller, and new claims are struck in between those established an hour earlier.

Hardy men and women swim and lay gasping in the cold, but glorious, water. Someone turns on a small music centre. The breaking waves are silenced by it. Children, many cossetted in protective wetsuits, others bare-skinned and incautious, run in and out of the sea. Their enjoyment – or fear – is lovingly recorded on a dozen mobile phones and instantly broadcast and archived on Facebook. They do little harm, these day-tripping hordes, few leave litter, they pick up their dogs’ excrement. They are out of doors and they are enjoying it. Most look up from their phones from time to time, and see the beach, the waves, the dazzling horizon. Some don’t. Their loss.

Follow the river up from the beach and behind the dunes, and human sounds recede. The wind still lives in the reedbed; the water warbles with life. Crickets grate away in the dry grass, birds can once more be heard calling and chattering in the scrubby pines. All along the riverbank, great sweeps of purple thistle, white yarrow, pink campion and yellow sowthistle dance and shout their presence to the quiet hoverflies and bumblebees. Harebells – the Scottish bluebell – sprawl untidily over sandy banks, lifting their china-blue trumpets to a sun that suddenly feels gentle and kind.

Clouds fly and form and merge and stream away in an endless sky.

One human walks alone.

The Forest on the Beach

It’s a man-made entity, on the face of it, this forest merging with the shifting sands of a vast, energising chameleon of a beach. Planted once in an orderly and respectable fashion, tall pines rise obediently from thin, infertile soil and duly make timber. Deep inside, away from salt winds, they have done as they were asked. They have stabilised the soil, reached for water, made partnerships with their own particular fungi. They are the forest they were asked to be.tentsmuir3

But on the edge, where the horizontal reigns in the landscape, where the sands continue to shift and grow, retreat and fail, and merge into mud, they cannot sustain their sheer verticality. Bald-headed individuals hesitate, stagger, lean, tip and fall. Blasted by sand, they desiccate, warp. They become subjects of the horizontal, their limbs curl and contort, sculpted by vicious winds from the sea. Beautiful in their carved and etched simplicity of form, they lie frozen in the hot, drying sun.

The forest on the beach shrugs off its manufactured origins, and enters the wild.

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The beach goes on for miles before the trickling waves are reached, even when the tide is high. At the point, it is a self-contained, secret world, traversed near the forest by tracks through the dunes made by a largely secretive population of animals, including domestic and human. The tracks join and separate, re-unite, diverge, vanish into long grass or an unexpected creek. They seem to make no sense.

Do shipwrecked sailors still dwell in tents among the dunes? Where are they hiding?

The dunes and butterfly-filled dune slacks, where wild thyme and cross-leaved heath celebrate summer, give way to wide, subtly merging, littoral zones of shimmering sand. Eventually, wave-patterned beach and tidal inlets signal that the old sea is near.

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Curiously, between the two, right in the middle of the beach, there is a small wood, mainly made up of towering, stag-headed alder. Under it, stunted or dwarf willows (who knows which?), broom, tall grasses, flowers. Unlikely eruptions of puffballs appear where cows have grazed. There is quiet shade, a rustling of leaves louder than the still far-off sea.

How did this little wood get here, in the middle of a beach? How long has it been here, where once was ocean? Will it survive long enough to bear fruit?

Then, movement from the bushes below the alders; an indelible assertion of dark brown hide against sun-washed grass and striated shade. A deer is moving through the little wood on the beach.tentsmuir1