Among the Caledonian Pines

IMG_20191020_153320607

These are free-range pine trees, the Scots Pine, Pinus sylvatica. Not the heavy, lowering plantation evergreens erroneously referred to as pine forest, but which are more likely to be spruce, fir or sometimes the non-native black pine, Pinus nigra nigra. Recognise the Scots Pine by the gingery red of the bark on the upper trunk. Black pines stay grey.

IMG_20191020_102144753.jpg

These pines do not grow in battery-cage rows. They give themselves space to expand, to stretch out to unseen horizons; they live with dignity and grandeur; they are splendid and heroic in their dying. The Caledonian Pine Forest is multi-aged, thanks to decades of careful management to reduce deer predation and facilitate natural regeneration – seed from local trees giving rise to progeny that fits the landscape that made it like a glove. Because of age diversity in the trees, there’s also diversity in height, spread, form and density. That means greater biodiversity. And beauty.

IMG_20191020_102836016.jpg

 

The forests made by the spreading Caledonian pine are light and airy. The ground is soft with layers of needles, kind to the dog’s arthritic paws, so he bounces puppy like full-tilt along meandering paths and up and down banks and ridges, grinning like a mad thing to encourage his slow, plodding humans.

Look up.

The overground network of branches, which look too heavy for the boles to support, whispers with  the quicksilver flow of red squirrels. Titmice flicker from bough to bough – coaltits in pairs, long-tailed ones in squeaky flocks. There may be crested tits in pursuit of pine nuts, for the Caledonian pinewoods are home to species rarely seen elsewhere. Shy and secretive, many of them, like the Pine Marten; or striking like the Scottish Crossbill -possibly the closest we have to a native parrot. Or the Horse of the Woods,  the iconic, pied Capercaillie, whose shyness vanishes embarrassingly during the mating season, when you really, really don’t want to bump into a male bird.

IMG_20191020_103754987.jpg

Look down.

Roots lie just below the surface; barely visible but easy to trip over. Mosses cover them; the translucent yellows, greens and pinks of sphagnum are almost luminous in the wetter areas. The smell of peaty soil mingles with the soft fragrance of resin and bark. Fringing the shallow bogs are ling and heaths, the former still in flower, blaeberries and ferns. Throughout, fallen twigs and branches, last year’s needles and crackling debris of fern make a thousand homes for maybe a thousand life forms; plant, animal,  invertebrate, bird, fungus and bacterium.

Onto these worlds within worlds, light rain emerges; rain so light, so like to air the raindrops are quantum particles which move and spin, randomly, beyond the realms of gravity. This is light-rain, on a world shrunk to infinitesimally small or seen from afar, from where the Scots pine woods become mere fractal patterns on the margins of time.

Once the Caledonian Pine Forest was the dominant vegetation type of much of Highland Scotland. It lightly brushed the sides of tall mountains; it thrived on islands in linear lochs, it swept through the glens. Farmers and crofters cleared some of it, but also made homes among the trees, for shelter and because it was a lovely land. Then came the changes, borne of greed, fear and hatred, that nearly pushed the Caledonian Forest and all it nurtured to extinction. Both sheep and the deer on the “sporting” estates which displaced poor or powerless people ate the succulent young trees, preventing regeneration – the story’s well known. Then there was the snatching of the big trees for the war effort. They were cut down to make boxes to store ammunition. Doubtless someone made a lot of money from that.

Now, thanks to hard work, vision and the dedication of many unsung heroes and heroines, the all-embracing arms of old Caledonian Pines are spread wide, young trees erupt vertically, baby trees get underfoot and choose odd places to grow. The trees are back on the  mountainsides. Long may they flourish and grow.

IMG_20191020_151639342

When Leaves Fall

leaffall3

New pictures are drawn on hillside and in hedgerow; the leaves
now start to drop away.

Trees emerge naked
– shy, hesitant, proud, unafraid, with dignity –
sculpt riots against steely skies.

Finely etched tracery of birch; yellow clouds of leaves
flutter, discarded, on winds grown icy.

leaffall1

Brown-cloaked oaks, stubbornly clinging to summer
angular knees and elbows showing through threadbare fabric.

Sombre sycamores statuesque on the skyline,
Leaves already shed, yet fuzzy with progeny:
Seeds in clusters wait the November storms.

leaffall2

Needles of larch whisper away on water
Lie silent and still on forest paths.

When leaves fall
Tiny buds of spring curl dormant in leaf axils, and wait.

Glacial Loch: a Tale of Horizons

Loch Leven in Kinross-shire, along with Clunie Loch and Loch of the Lowes (and the ospreys) in Perthshire, and Scotland’s only Lake, the Lake of Menteith in Stirlingshire, was scraped out by glaciers in the Ice Age, then filled with sand and gravel as the glacier retreated – and hence is shallow, broad, wreathed in strange mists, and horizontal in tone. Wide enough to be a honeypot for thousands of wildfowl in winter, secret enough for a Queen to be imprisoned on one of its islands, shape-shifting and elusive enough for ghosts and rare species.

lochleven1

Walk around its margins; there will be places from which the opposite shore can barely be discerned. Go on a grey autumn day when the rain in the air seems suspended in horizontal bands, and upsurging clumps of grass and reeds appear discordant, almost angry in their violation of the horizontal.

lochleven4

Here and there you’ll find beaches, sandy from the glacier’s retreat; the wind makes small glacial waves that smell of no sea but fool the dog – and then it becomes still. Bands of horizontal clouds are reflected in the mirror surface of the water; subtle stripes of cream and grey and black and white, settling on the horizontal tops of the surrounding hills.

grassofparnassusPockets of peaty marshland, studded in autumn by vivid blue sheeps’ scabious and emphatically solitary flowers of the Grass of Parnassus, spiral around flat pools of oily water, reflecting snatches of sky. Larger raised bogs, pillaged in previous centuries for their peat, lie flat and sullen. When the peat was no longer wanted, they grew conifers on the “useless” land. lochleven5Now the conifers are retreating after the long-forgotten glaciers; the water returns; dragonflies, amphibians and sphagnum once more fill the horizontal expanse between the forest.  Heaths and ling guide the trespasser to the dryer paths, and felled branches bridge the bog where water maintains its horizontal sovereignty.

lochleven6In fields by the loch, the damp rises in horizontal layers, coating logs and stumps and gate-posts with moist, green mosses and algae. In one field a whole tree fell, years ago. In this damp environment it has not died, but adapted to its horizontal status and continued to grow; a miniature forest of shoots, epiphytes and primitive plants along its horizontal trunk.

lochleven2

The old river, the Leven, first to score a path through the glaciated landscape, tears out of the loch at the Sluice House, which straddles it, flat and low, and flows out to feed Fife, rural and industrial. Its lines are also straight and keenly defined; kingfishers dart horizontally beneath overhanging branches. Ripples march in military formation downriver.

Quiet, grey, the glacial loch behind you retreats into its bands of mist, its unseen wild occupants, its secrets and loveliness.

lochleven3

 

Winter Geese

geese

Breathing in, the air is clean and cold, that sharp tang
That preludes winter, edging around frost and ice
But not there yet.
Horizon endless, sky that translucent pale blue – a trail of smoke
Distant, wavering,
Moves towards the watcher in the field.

Earthbound, crows prod lugubriously at the stubble,
Clumsy pigeons clatter from tree to tree, voracious,
After each other. High above, the smoke separates,
Cries out exultant, forms streamers and ribbons,
Waves in and out of formation, as the winter geese pass.

In the marshes and seawalls of Essex, long ago,
I watched through binoculars the arrival of the little Brent geese,
Who stayed with us all winter, sweeping up and down the estuaries,
Squabbling and crying for joy in multitudes in reclaimed fields.
Here, Greylags and Pink-foots (I can never tell which) mark the season:
The harvest-home, the burning leaves, the smell of turned soil.

Once a Pink-foot landed, exhausted in my garden, left behind,
Confused maybe by the demands of Goose and Gander for their breakfast.
We fed and watered her, marveled
how small she was
Against our farmyard geese. The next day she was gone,
As the morning skeins’ urgent calls measured her pace and purpose.

Solid yet ephemeral; never to be held;
An instant of joy in an ever-changing and darkening sky;
Winter geese, this moment, here and now.

Not a Tay Bridge Disaster

 

taybridge1In a fright of frustration and indecision you stream from the house. Too much time alone, too many choices, too many restrictions, too much procrastination – poring over maps in search of something new, too much squinting at Google Satellite to find new paths, no decisions made, no enthusiasm kindled.

Just the need to get out, though the day is grey with bubbling clouds and the threat of rain.

Aimlessly through Perth, getting a few messages on the way. Drifting, still without destination, towards Dundee. Missing the road to the towering volcanic hill where the dragon (probably) still resides in his Hole, squatting on his bed of garnets and Perth May maidens. That would have been a good walk. Too late.

Abruptly turning off the dual carriageway to Errol and the Carse – but let’s not repeat the same old paths twisting in and out of the reed beds. Look out for a new sign, somewhere different, something – anything – new. Oh, missed one, wonder where that went, too late, never mind. Suddenly, you’re skirting the edges of Dundee – how about Riverside Park? What all this way for a semi-urban park? Maybe… oh, too late, you missed the turn-off. Guess what, the sun is out – that’s Dundee for you, Sun City, Yes City, smiling streets and sparkling water, and the V&A looking glassy and coolly remote as it strains toward the ocean.

Woops – and you’re on the Tay Road Bridge, heading for Fife. Desperate to walk and you’ve been driving for an hour, so you stop trying to choose and roll up in Wormit, under the shadow of the rail bridge, that eternal prompt for disaster. It’s mid-afternoon, and you skirt the narrow estuarine beach and climb onto the breezy, sunny cliffs of a hitherto unexplored stretch of the Fife coastal path towards Balmerino.

taybridgetrees
And the rushing, crossness, dissatisfaction and sense of time wasted starts to recede. You slow down. You breathe more deeply. The dog potters. Through twisted, moss-covered trees, tangled with ivy, ruined boathouses and animal tracks are glimpsed. The city twinkles at you from across the Firth, as wide and blue as the clamoring, exulting East-coast sky.

 

 

 

taybridgeseal

A mysteriously stranded and petrified seal basks on the grass, making a seat for warm and heady contemplation of how beautiful the world is, how long the day, even in September, and how fortunate the indecision that led you here.  Steep coast-path steps, down and up; a hedgerow heady with honeysuckle; crackling of dry grass and the twang of boot on stone. Trickling burns through the undergrowth, ferns and moss and fungi in the gloom, then out, out again into the laughing sunshine, up through meadows, down to the lucky houses clutching at the shore.

Later, a forest, a young woodland of oak, rowan and sorry-looking ash, nudging the older trees, and the pines and firs of previous plantings. Shadows flicker between them; dogs explore, accompanied by knowing locals on paths uncharted by Google maps; Kirkton and Balmerino are near.

You circle the village, fine and high above the Firth, and now as you return the sun is cooler, the air relaxed, the forest empty, chilly and very slightly intimidating. You pick up pace. After all, you started late and the nights are drawing in, and the sun is being sucked back west of Dundee.

taybridgememorialBack at the estuarine beach, nearly under the bridge, you notice the memorial to those killed in the  Rail Bridge Disaster. You were in too much of a hurry to see it before. And you stop, and rock to and fro on the tiny jetty, as the dog paddles and sniffs at stones and seaweed.

There was no disaster here today.

Midstream

river trees

In the past ten days, two friends have died. Not unexpectedly, no shocks. A couple of weeks ago, when they were both still alive, everyone and everything around me seemed painfully mortal, and this poem is what I wrote then.

I cross the bridge, but
Midstream, I stop.
So much water, passing under.
I cannot hold it back.

Midstream – upstream – a dipper,
Mischievous, concealed among stones and ripples,
Bobs, and waits.
Midstream – downstream – a fisherman
Casts and retrieves, over and over,
Silent, focused, amid swirling water.

I, too, have cast,
Over and over.
But now my line diffuses and is lost in movement
And what, now, is left to retrieve?

fiddle treeBy this great river I sit
Beneath the fiddle-tree,
A gnarled and feathered oak, gashed
By storm, decay and distant ghosts of song.
Riverbank trees, like frozen statues, arch and crane,
Their token reflections broken
Like dreams in the midstream of sleep.

On dark ripples, tiny sounds of water on water,
Midstream, the undercurrent
Chases the rain from highland to lowland
Into deeper water yet.

Midstream, unseen fish bestir
And battle homeward. But I
Am snagged, log-jammed, midstream
Watching lives flow on and vanish into river,
Slippery, elusive as salmon, impossible to hold,
Passing, on unfathomed journeys, beyond my sight

While I stand helpless and wait
Midstream.

The Morning After

unicorn mushrooms

The morning after the march I went mushrooming again. There were no mushrooms of any kind left in the fridge. I nearly didn’t bother, because I was dog tired, and, after all, I would pass at least three supermarkets in the afternoon.

But something about the air that morning was irresistible. Cool, zinging with the promise of sunshine; light, ethereal and just a little autumnal; dust motes and electrons dancing a jig. The dam and the woods and clearings energised and soothed simultaneously – an antidote to the adrenaline that had kept me up and awake till gone 2am, head birling with ideas and reflections and hope no anxiety could dampen.

Every secret hollow, bank and bog in my regular itinerary yielded something edible. Shaggy Inkcaps standing like soldiers, Hedgehog Mushrooms like tiny undercooked loaves, spiny as urchins beneath, chunky Orange Birch Boletes that go alarmingly black when you cut the flesh but taste divine. And a few late Saffron Milk Caps, only slightly infested.

jed Rohallion

The sunny gold of Chanterelles glistened like the yolk of a happy hen’s egg. Deer came skipping coquettishly out from the wood and crossed in front of me, one of them practically pirouetting in her glee – anticipating perhaps, the rutting season nearly upon us.

From my dog gazing lovingly at his stick floating away on the loch to the shafts of sudden sun on the ripples he makes, from the happy brown collie and his owner to the mute swans and their big grey babies – the morning after, all of Scotland seems to be smiling at me.

A Big Hoose and its Carriage Drive

airleywight drive

Another giant tree that was part of the avenue lining the old carriage drive has come down. Every year, one at least succumbs. They are mostly beech, monumental now, out of scale with the straggle of the village and the low fields that sulk under the weight of rain and ripe barley.

airleywight4

The carriage drive is a ghost of former times, looping importantly around the grounds of the big hoose that now peeps sheepishly out from behind its deer fences and the remnants of redwood trees, the choice rarities, status symbols prized by landowners two centuries ago. Then, it all belonged – carriage drive, trees, big hoose and all – to the Wylies of Airleywight. To be honest, James Wylie probably owned most of the village, and built a fair whack of it too. He owned my house, and, though long dead, may well still own the rough road on which it lies. (Nobody else claims it, despite rumours that it might be the property of the Bankfoot Light Railway, also long dead.)

A footpath follows the line of the carriage drive, side-stepping the remaining beeches. Here and there, minor land grabs seep into it. A corner of field here, children’s dens there, new tracks, sheds and barbecues. A shady allotment of raised beds fingers into it, created by someone in the adjacent scheme with access to Heras fencing and a tendency to self-sufficiency. In the woods beyond the house, where the Garry Burn streams by, a squarish, sunken, shallow bog is still called The Curly by successive generations of schoolchildren, out on bikes and skateboards, building jumps. If you hunt among the rank vegetation, you’ll find the metalwork that filled or drained the pond for icy games enjoyed by residents and visitors to the big hoose at Christmas.airleywight2

 

Where the carriage drive seems to end, the footpaths continue, past what’s left of the huge walled garden. Now a forest of self-seeded trees occupies the space where fruit, flowers and vegetables once were expertly raised on the south-facing slope. They tower above what’s left of the crumbling, ruptured walls. Who knows what horticultural sleeping beauties may still lie dormant at the heart of the garden?

 

The cottage near it lay abandoned save by the swallows for many years, still graced by bursts of surviving garden flowers among the thistles in summer. The butterflies loved both. Was it the gardener’s house? Or perhaps the coachman for whom the drive was made? The village architect has renovated it to picture postcard perfection. It looks content, roofed, aired, cultivated – but not extended. Nearby he built himself a house of traditional, solid materials, that so fits the landscape in style it has become part of it. Already there are lichens on the roof and leaves in the gutters. The swallows and martins nest easily in the eaves and outbuildings.airleywight3

 

You get to the big house now by a difference entrance, made significant by statuary, but no carriage drive. Of the latest owner, and what they plan for their gardens, curling ponds and steadily declining avenue, there is no word.

 

Mushroom-hunting, between Lowlands and Highlands

mushrooms1A full evening, two nights and two days of rain. Humidity hangs in the air, the soil beneath my feet pulses damply, the mosses are full and green. Raindrops still coat every flower of grass and frond of bracken, but the sun is shining. The timing is right.

I go for mushrooms in the place where the Highlands meet the Lowlands, where the land is rent by fault-lines and rainbow-coloured slate out-crops and erupts. I pass the court hill where outlaws were tried and hung from the oak trees of Birnam Wood, three hundred years after Macbeth was king of this nation. I stalk through the devastation where the larches were, before they got phytophthera and were felled. There is nothing there now. But in the crowded wood beside the path, one big larch has been missed, and the sun shines in tawny patches upon last year’s fallen needles. It catches on a small group of Larch Boletes, glistening and tawny themselves in their cosy cohabitation with the tree. I take one. A deadly Panther Cap smirks nearby and I ignore it.

Broken and battered, an old sweet chestnut tree ismushrooms3 surviving the metallic blundering of the foresters’ vehicles, harvesters and forwarders, along the track. How did it get here? Not a native tree, so planted a long time ago, when this haphazard forest was occupied in a different way. Who planted it? Did they hope for chestnuts to roast on autumn fires?

I follow the hint of a track down a slope towards the thicket where rhododendron is making its usual bid for world domination. No more than a wisp of trodden grass and bent fern, my path diverges and peters out at a crop of the biggest chanterelles I’ve mushrooms2ever seen, tucked into the side of a rugged bank that oozes water. Was this path made by a human who knew where to look, or by another animal? Someone told me yesterday that the best chanterelles are on banks and slopes because the deer can’t graze them there.

I’m always competing with other animals for my dinner. But I’ve had lots of chanterelles this summer and there is still a dish at home in the fridge. I take a couple. I have rules when I’m foraging. Never take more than I need, only take a percentage of whatever I find, leave old mushrooms to sporulate, leave young ones for tomorrow, for the next predator or none, for others just to see and love.

Under birch, I acquire some young Brown Birch Boletes and a single Cep. Ploughing through forest, I note the tiny horsehair mushrooms are up and about, trooping on twigs and the needles of conifers. I ignore, too, the many “wee brown jobs” of mushrooms that once I diligently took home as single specimens to try to identify with hand lens and spore print. Some I succeeded in pinning down, too, only to forget them altogether until I came across them again in another wood, another year. Life’s too short now, I am focused on my prey.mushrooms4

Huge shaggy mushrooms shout out to me as I pass another grove of conifers and I am lured in. But they are the uneaten halves of massive fir cones – red squirrels have eaten the succulent tops from every one, and laugh at me from the tree tops.

They cluster in the fallen forest by the dam, the new flush of Saffron Milk Caps, just where I thought they’d be, and just at the right stage before the fungus gnats lay their eggs. They are sound, and plentiful and could make a wonderful painting, with their improbable colours of orange, cream and khaki-green. But they won’t, for I take my portion and weave them into a spell of dinner.

mushrooms 5

The Beach, Summer Weekend

beach 1First seen in early spring, nearly twenty years ago, the beach stretched endlessly around the curve of the bay, a shimmering cream expanse of sand uninterrupted by not much more than a man and a dog, idly kicking at the silvery waves. No sound but those waves, breaking, gathering energy, re-forming, breaking again – and the gulls, plovers and oystercatchers worrying at the interface between water and land. The red stones of a ruined castle tottered in the dunes, crumbling, threatening to fall. Where the river splayed lazily, yet with energy, into the sea, flat, smooth stones in many colours could be harvested for an optical feast, to be drawn and painted, rearranged, and consigned to garden corners.

Today the summer sun is hot, but the breeze is cool from the sea. The car park has been extended, a café predictably offers burgers, ice cream, soothing teas and toilets. The waves still break, but the birds have gone elsewhere, or fly over the sea waiting for humans to depart and their time to come. Chattering voices, laughter, cries of anger or delight dominate the soundscape. Dogs bark and race from one human party to another in confused joy. The tide of visitors troops through the dunes on the new boardwalks, and dissipates like the outflow of the river onto the sand. Small parcels of beach are claimed by towels, windbreaks and throw-away barbecues. As more people arrive, the parcels become smaller and smaller, and new claims are struck in between those established an hour earlier.

Hardy men and women swim and lay gasping in the cold, but glorious, water. Someone turns on a small music centre. The breaking waves are silenced by it. Children, many cossetted in protective wetsuits, others bare-skinned and incautious, run in and out of the sea. Their enjoyment – or fear – is lovingly recorded on a dozen mobile phones and instantly broadcast and archived on Facebook. They do little harm, these day-tripping hordes, few leave litter, they pick up their dogs’ excrement. They are out of doors and they are enjoying it. Most look up from their phones from time to time, and see the beach, the waves, the dazzling horizon. Some don’t. Their loss.

Follow the river up from the beach and behind the dunes, and human sounds recede. The wind still lives in the reedbed; the water warbles with life. Crickets grate away in the dry grass, birds can once more be heard calling and chattering in the scrubby pines. All along the riverbank, great sweeps of purple thistle, white yarrow, pink campion and yellow sowthistle dance and shout their presence to the quiet hoverflies and bumblebees. Harebells – the Scottish bluebell – sprawl untidily over sandy banks, lifting their china-blue trumpets to a sun that suddenly feels gentle and kind.

Clouds fly and form and merge and stream away in an endless sky.

One human walks alone.