“Wild Flowers of the Woods” – a small selection from Five Mile Wood!

Although I was born and grew up in a London suburb, awareness of nature was hammered into me, partly by my family, partly by primary school, where the “nature table” was obligatory in every classroom and was always piled high with artefacts, and partly by the nature books that lay around the house. It was while poring over these behind the sofa that I began to learn my flowers.

My favourite was entitled “Spring Flowers of the Woods”. To start, I relished the beautiful hand-painted illustrations, and, later, when I read that the woods were full of flowers in spring BECAUSE leaves were off the trees thus allowing light for the flowers to open and the pollinators to amble in, it was my first glimmer of ecology, and the entangled ways of nature. I came to recognise and seek those exquisite, archetypal spring flowers such as primrose, wood anemone, wood sorrel, mercury and violet.

Today in Five Mile Wood, on a damp and overcast day, I greeted some of them. In the broad strip of mixed broadleaved and conifer woodland to the south, violets a-plenty sprinkled themselves over the dead leaves of birch and beech, growing on old stumps and under windthrown trunks. Sometimes they congregate with Wood Sorrel, whose edible, trifoliate leaves draped from spindly stems, and finely-veined, nodding white flowers are one of the (many) most beautiful things on earth. Wood Sorrel grows here only in scattered communities. I have the impression these colonies are networking towards each other, perhaps via the hidden telegraph of soil-fungal communication.

I have not yet found Wood Anemone here, which is surprising, but intriguingly, there is the merest germ of a bluebell wood, if you know where to look, and they are beginning to flower. (photos were horribly blurry, and I shan’t burden you with them. Everyone knows what bluebells look like.) Bluebells are said to be a sign of ancient woodland (which Five Mile probably isn’t) or at least a settled woodland ecology. I do not wish to unsettle them!

As the ground rises, that ecology morphs into something more akin to acid heath (there are certainly signs that at least part of the central area once held deep peat, signifying raised bog, perhaps). Two flowers in this habitat – not stars of “Spring Flowers of the Woods” – gave me great pleasure. One was the blaeberries that line the paths and snuggle up to trees here. They are now in hard-to-spot flower. Tiny, beautiful dull reddish bellflowers (look closely!) which will turn into the fruit of this our native blueberry and provide good walking snacks in the summer. It’s a treat to see this wild harvest crop doing so well; it was somewhat decimated by the last clear-fell. (Do we understand well enough the changes we force on a landscape by our actions? Do we care enough?)

The other is gorse. I have a very soft spot for this riotous, prickly native shrub. So many plus points does it have: nitrogen fixing, baby tree protecting, wild tea providing and a redoubtable habitat for spiders (see here) among others. What’s in a few scratches? A week ago, cycling round the wood at speed (to be honest, anything over 6mph is “at speed” for me even on an electric bike), I did incur a few scratches….. but it was like moving through a mist of warm coconut, the delicious gorse flower smell made powerful by the bright sunshine and muggy air. Today, it was fainter – but thanks to the slightly unnerving vigor with which gorse is spreading across the path, I could still catch it. Divine!

Primroses seem to be absent, as well as the wood anemones, but there was this unexpected relative – Primula denticulata, the Drumstick Primrose or, locally in Angus, the Kirrie Dumpling. Native to Himalaya, this has not, I suspect, got here on its own! If I were a hard-line ecologist, I’d uproot it (and find a home for it in a garden). I’m not, but there might be a good argument for collecting the seed before it spreads itself about. Or not?

Primula denticulata, the Kirrie Dumpling

May 2020: The Bluebell Wood in Lockdown

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There is no lockdown here.

Cascades of bluebells pour unrestrained down slopes and banks in teeming armies. They crowd thick and close and unrepentant, in teeming armies, nodding to kiss and touch the air, the sunlight, their neighbours. bluebells2020b

Black, loping St, Mark’s flies dangle above the bluebells, lost in the still air that’s full and fragrant and intoxicating. Bees softly hum, preoccupied, beyond concern, without anxiety. Birdsong surrounds us, meshing into the stillness and silence till it becomes part of it. Woodpecker nestlings can just be heard, grumbling in nest holes in elderly trees.

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The wood breathes deeply, unmasked, unshielded. Stitchwort and purslane gather together, jostling around stumps and falling branches, pink, white and all the shades between, small exuberant stars in a sky of riotous blue.

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Humans are few, and we are all quiet. We greet each other in joy and friendliness, as if to apologise for the distance we must put between us. A young woman walks slowly, murmuring quietly to her baby who peers out in wonder from its sling. A small girl is carried in her father’s arms. Both gaze silently, smiling.

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Another world is possible.

Another world is here.

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Before the Chanterelles

In the misty dampness of a cool May morning, the tangled and decaying woodland holds its breath. Falling trees prop up shattered branches and each other, precariously leaning, hanging on by brittle twigs to some semblance of the vertical. Elsewhere, the long archaeology of those that have already succumbed to gravity make the woodland floor uneven, precarious, unpredictable. Some are half-sunken: indistinct mounds of mosses and soft, cushion-like wood, sprouting ferns and small plants – wood sorrel, purslane, chickweed wintergreen – from every crevice. Others, newly crashed in last week’s gale, still carry their leaves, shrivelling, poignant. Between the two extremes, lie trees and logs in every stage of decomposition.

The walker in this wood must learn these stages, and recognise which logs will still make good rafts to lay across the boggy places and ditches she would cross, and which will just crumble when stepped on. She must be aware of what lies overhead and if it would be wiser to go around, rather than under, the hung-up branches. Familiar paths are blocked every month and must be re-routed. New ground is created, explored, and lost again.

Out of the decomposition, new worlds are also born. What is decomposition if not the beginning of opportunity? Spiders re-align their webs in the remaining dead branches of a leaning tree. The breakdown of bark releases nutrients; tree becomes soil, soil claims tree. Single-celled organisms work their way through a sea of bacteria, laying the foundation for others to thrive.

Opportunities are made for beetles that feast on the rot in wood and bark, and the birds and small mammals that home in on the beetles. Shelter, food source, songpost, tunnel, bridge – the creatures of the wood utilise the fallen and falling trees in many ways. On their bodies they bring more soil, seeds, and the elements of fertility to this garden of decay.

And oh, how the garden grows.

It is not death that the walker witnesses, but birth and life. Is this decomposition, or composition? Is it both? Is this the end of the wood, or the beginning of a new landscape? No human cares much for this wood. Children sometimes come and make fires, camp or build twiggy shelters, but you never see them. There is an old tyre swing, hanging neglected. Someone – no-one knew who – used to make sculptures out of stones in the heart of the wood, but not anymore. Dogs are walked, but usually led straight past the wood now that access is trickier. No-one “manages” it. Change, then, seems rapid. Whole trees crash down, leaving soggy craters and towering cliffs of root-ball, but transformation in nature is incremental, and constant. Each year, the populations dwelling on those bare root-cliffs are slightly different. Ground living fungi give way to aerial brackets, rabbits exploit entrances to potential burrows, liverworts, lichens and ferns take hold.

And underground, fungal mycelia move like whispers within subtle, shape-shifting parameters. Today, a downpour of the night is percolating under the moss-covered banks and logs. Soft spring rain, scarcely visible except when the smirr catches a shard of sunshine, seeps into the soil cauldron, fermenting, bringing new elements, new conditions.

Things move unseen.

Everything waits.

The walker in the woods has seen no mushrooms yet. But even a human animal can smell the contents of the cauldron, the warm, damp changes happening unseen below the wreckage of an unmarked wood. When all the boxes have been ticked, the harvest will be rich and golden.